Yeah, I think I've said this before, but it bears repeating. I can defend Penders work on the comics to a extent. As hard as it is to admit, I really do think he was the best writer on the comic, pre-Ian. His stuff, for all it's oddities, really was more interesting than the stuff we were getting in the main comic at the time. Post-Endgame, the Sonic comic felt directionless, and the World Tour arc felt like it didn't know where it wanted to take the characters. You have to remember, the Knuckles comic came out mostly during that period where Robotnik was dead and before he returned. Penders' Knuckles comic, while definitely not perfect, at least felt like they were building something. I appreciated the world-building and addition of competing factions and ideologies. And there was a certain "depth" there that was lacking in the main comic at the time.
And a lot of the problems are just the writers and artists not communicating with each other due to tight deadlines and poor editorial oversight.
A lot of people compare his stuff to Marvel and DC's output in the 90s, rather unfavorably, but I think that's the wrong comparison to make. I think a better comparison to make would be to other indie comics, from the likes of Antarctic Press or Fantagraphics. Because that kind of feels more like the tone they were trying to go for. Those 90s indie comics are also a little experimental and edgier and sometimes a little more personal...but also weird and kind of amateurish and (let's face it) a little bit unhinged. Similar to those indie comics, there was a sense that the Sonic comic was willing to give people a chance in the industry who had NEVER done comics before, for good or for ill.
But, Penders, the has-been who sued the only work that people remember of his out of oblivion? Yeah, I can't defend that guy. As far as I'm concerned, he only "won" by taking advantage of a disaster that destroyed his original contract. (If I remember right, Archie HAD photo copies of the contract, but lost the original in a flood or fire. ) And a overly sympathetic judge. And because the company he was suing was too poor to fight back. And because the licensor didn't want the public humiliation of being in a lawsuit. He lied about never signing a contract and took advantage of the fact that the comic was too small to bother saving.
And then he doesn't even DO anything with those characters for a decade! And even if he does, it looks like it'll have HORRIBLE art! The only thing he's done in the last ten years is try to make NFTs and threaten to sue the movies if they get too close to "his" work! And I'm convinced he's the reason we still don't have Ian's Lost Hedgehog Tales! Harrumph! *pouts*
Mind you, he doesn't deserve ALL the blame. Archie handled the whole thing stupidly. Archie's always been bad at the business side of things, and this was them at their worst. And Scott Fulop's lawsuit was probably the final nail in the coffin for everyone involved. Lest we forget the "Mammoth Mogul universe" he was planning.
thankskenpenders.tumblr.com/post/637060530466586624/thankskenpenders-okay-so-penders-and-the-lara-su
So, yeah. If Penders HADN'T sued the comic out of existence, he'd probably be somewhat fondly remembered right now. If only because of nostalgia.