Paramount is pushing pushing too much Star Trek content at once:
Not anymore they're not. This is the last season of Discovery, and the fact that Prodigy was among the handful of shows Paramount+ just summarily axed says to me that where the left hand is still throwing jive at the wall (Matalas hoping for his own show, whatever happened to the Academy show, the Section 31 monthly curated box of snacks) the right hand is going vicious for tax write-offs.
This show seems out of place. Only one show at a time should be out there, and right now that’s Strange New Worlds, the adventures of Captain Pike which was cut short in the 60’s.
No one cared who Pike was before Discovery S2. This is the adventures of Captain Pike, whose ship we wanted a reassignment to in 2019. And we got it, great, but don't forget that Discovery was the flagship show until that happened, so of course they're going to bloody wrap it up. (Though with the example of Prodigy, it was clearly never
guaranteed they'd have a chance to do so.)
To be successful a Star Trek show it needs to build upon and be connected to the Original Series or Next Generation.
Well, welcome to the death spiral then, because there's only so much that can be done in these densely packed eras of Trek history, and if viewers demand everything has a one-step remove from Captains Kirk and Picard, then we're running out of possible material to cover without doing an honest-to-God reboot. Star Trek can't live in a Spiderman-sized box where history resets every seven years and sometimes there's a crossover, and no matter how many seasons happen it's always 2266.
And you're still talking about Discovery, which was itself already parasitically attached to the original series for two seasons before the time skip, because somehow they thought the thing that would lead audiences to accept Michael Burnham as the main protagonist was making her Spock's secret sister. Discovery was five minutes before Captain Kirk before SNW made it cool,
which is how we got SNW. It didn't fully capitalize on either the potential of the source material or the raw appeal of the nostalgic iconography, and that was a bad choice creatively and financially, but I can't stress enough that that source material is still a limited resource, and if Trek isn't comfortable using the full breadth of source material that it has to work with and simultaneously venture into new settings and concepts, it's going to go back to the same well until it runs dry and we're going to end up in another quiet decade until the next inevitable TOS recast.