That can provide individual story points and Earthspark is the rare case of a show that's used it to at least that level with Thrash etc. To make that work, you have to draw those individual connections explicitly, but there are at least some options to play with. I think like I said, in that kind of context, the strongest potential is a character who has mixed feelings about what their alt mode means to them.
From a fun speculative fantasy race perspective, I do think it would be fun to see it tried to have a society of Transformers as a whole who have some shared social language for what alt modes mean about a person, whether they're a matter of status imposed from outside (more like class), a freely-chosen or sometimes restricted self-expression (more like gender), a feature of related communities (more like ethnicity), a functional role in society that can be changed (simply a profession), or otherwise. That's hard to do since the social norms of the society are coming from space but the widest selection of vehicles with inbuilt meanings the audience can be expected to keep track of comes from Earth. (I may know someone working on their own fiction project that circumvents that problem.)
In IDW1 phase 2, altmode based class was an informed feature of flashback times we didn't get to live in or really see, and the class distinctions we did get to see in action in the present were about whether someone was forged or constructed cold and with what kind of spark. When Tailgate hides that he was a waste disposal guy, it's not by being one of the three guys who refuse to transform into alt mode in the book where no one ever transforms into alt mode anyway, and then eventually being found out as a garbage truck.
In Animated, we got the Bumblebee moldmate situation since that's what started his rivalry with Wasp, and he has to measure himself up against other speedsters when they appear (Nanosec and Blurr), and we know everyone is more or less born into their alt modes, but it doesn't seem like there are pervasive social expecations at play there, and for anyone else it isn't even a dialogue point. It's like Zootopia if no one ever actually pointed out in dialogue that Judy was a rabbit; the audience can see what the designs are meant to tell us but the explicit connections to other characters' expectations aren't drawn. The exceptions are explicitly exceptional, like the Jet twins and Omega Supreme.
We've just never really had "don't date a drummer" sorts of references about alt modes in any TF fiction I can immediately call to mind that would cement the idea of alt modes communicating something social to other Transformers. Except....
Except there's the Beast Wars guys, who will just not shut the hug up about their fursonas. It starts before their beast forms are five minutes old - Rhinox's reveal line is "livin' large is for forms like me, Rhinox." Rattrap delights in saying things like "What can I say, I'm a rat." Megatron attributes Tarantulas's treachery to his being a spider, Dinobot gets called a cold-blooded reptile at some point I think? All long before it's an explicit plot point that their beast forms have an influence on their brains. (Realistically, given these people already know each other, their fursona game is extraordinarily on point, considering that even people who don't like them are thinking "yeah, that pretty much sums up that guy" instead of "I really always thought of her as a sea slug" or whatnot.)
Maybe this stuff is just easier to do with animals. It's definitely hardest with made-up sci-fi vehicles that the audience doesn't even have mental categories for.
From a fun speculative fantasy race perspective, I do think it would be fun to see it tried to have a society of Transformers as a whole who have some shared social language for what alt modes mean about a person, whether they're a matter of status imposed from outside (more like class), a freely-chosen or sometimes restricted self-expression (more like gender), a feature of related communities (more like ethnicity), a functional role in society that can be changed (simply a profession), or otherwise. That's hard to do since the social norms of the society are coming from space but the widest selection of vehicles with inbuilt meanings the audience can be expected to keep track of comes from Earth. (I may know someone working on their own fiction project that circumvents that problem.)
In IDW1 phase 2, altmode based class was an informed feature of flashback times we didn't get to live in or really see, and the class distinctions we did get to see in action in the present were about whether someone was forged or constructed cold and with what kind of spark. When Tailgate hides that he was a waste disposal guy, it's not by being one of the three guys who refuse to transform into alt mode in the book where no one ever transforms into alt mode anyway, and then eventually being found out as a garbage truck.
In Animated, we got the Bumblebee moldmate situation since that's what started his rivalry with Wasp, and he has to measure himself up against other speedsters when they appear (Nanosec and Blurr), and we know everyone is more or less born into their alt modes, but it doesn't seem like there are pervasive social expecations at play there, and for anyone else it isn't even a dialogue point. It's like Zootopia if no one ever actually pointed out in dialogue that Judy was a rabbit; the audience can see what the designs are meant to tell us but the explicit connections to other characters' expectations aren't drawn. The exceptions are explicitly exceptional, like the Jet twins and Omega Supreme.
We've just never really had "don't date a drummer" sorts of references about alt modes in any TF fiction I can immediately call to mind that would cement the idea of alt modes communicating something social to other Transformers. Except....
Except there's the Beast Wars guys, who will just not shut the hug up about their fursonas. It starts before their beast forms are five minutes old - Rhinox's reveal line is "livin' large is for forms like me, Rhinox." Rattrap delights in saying things like "What can I say, I'm a rat." Megatron attributes Tarantulas's treachery to his being a spider, Dinobot gets called a cold-blooded reptile at some point I think? All long before it's an explicit plot point that their beast forms have an influence on their brains. (Realistically, given these people already know each other, their fursona game is extraordinarily on point, considering that even people who don't like them are thinking "yeah, that pretty much sums up that guy" instead of "I really always thought of her as a sea slug" or whatnot.)
Maybe this stuff is just easier to do with animals. It's definitely hardest with made-up sci-fi vehicles that the audience doesn't even have mental categories for.